Our Latest Blog Posts
Art Imitating Life
Interviewers have frequently asked me, “Where do you get your ideas?” — as if there were some mysterious wellspring from which imagination bubbles that spews out a whole plotted book. We can call this inspiration. Where does it come from? In fact, in the deeper sense, that’s not an easy question to answer. I certainly don’t understand the workings... Read More »
Nailing the Landing—Endings to Poems
In February and March I addressed good openings for almost any kind of writing here at the FWA blog. And in April we meandered in the middle of poems. So now, let’s talk about how to nail the perfect ending to a poem. (I apologize in advance if this turns out to be a bit of a rant. Bad... Read More »
Parsimony of Language
As my friends (and probably my readers) can tell you, I’m no enemy to baroque language. I do love me some rich descriptions! But that’s not the same as wasting words, throwing them away on redundancies. While not everybody needs to write like Ernest Hemingway, a certain frugality with those precious little words keeps the writing clean and comprehensible.... Read More »
Meandering in the Middle of a Poem—What to Do?
In February and March I addressed good openings for almost any kind of writing here at the FWA blog. Now, we come to the more difficult bit for most of us. Once you’ve invited your readers in, what are you going to serve them? Stale crackers and old cheese are just not going to cut it. I’ve done a... Read More »
Writing Our Furry Friends
I recently decided to stop being so anthropocentric and incorporate a dog into the cast of my protagonists. This took a bit of courage, because a) animal characters can be cutesy and maudlin, and b) all the animals in books I read as a kid got killed in the course of the story, and I can’t take any more,... Read More »
Four Ways to Invite Your Reader In (Part 2)
Last month I posted about four ways to roll out the welcome mat for our readers by providing easily accessible openings. And I said, if the opening is too longwinded then readers may not have time to figure out your point, or the why of the piece. Too obscure and immediately readers must decide if it’s going to be... Read More »
Listening for Characters’ Distinctive Voices
Here are some thoughts mainly (but not exclusively) meant for those who write in a close third-person or first-person point of view. We’ve all internalized the advice to stay in a consistent point of view. You know—not to see things Mr. POV can’t see (like his own face) nor to read other people’s minds. But there’s a different sense... Read More »
Four Ways to Invite Your Reader In (Part 1)
It’s the opening of a new year. So, let’s talk about openings. You want your home to have curb appeal and your front door to be inviting—to say Welcome! as it opens. (At least most of us do.) It’s the same with a piece of writing. The last thing you want to do is to put a roadblock, or... Read More »