Where Does Your Story Begin?

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I read a lot of book manuscripts, and I’m here to tell you there are some story openers in danger of being used more often than “once upon a time.” Here are some beginnings I see quite frequently: • Character waking up • Character looking out a window and thinking about the weather • Character thinking about the setting, reviewing the objects in a room • Character thinking or saying out loud, “This isn’t happening.” • Character pondering her life, … Read More »

To Repeat or Not to Repeat: How Much Regrounding in a Series?

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These thoughts are aimed at those who are writing a series, as I have been. It’s begun to feel like I’m writing the same book over and over! Why? Because the characters and their sitz im leben need to be reintroduced each time, in case (a very likely case) someone picks up Book Three without having read Books One or Two. Just how much grounding in the continuum of the series is necessary for each episode? That depends on the … Read More »

Is Your Story Drowning in Details?

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Every story needs details—it’s what helps bring it to life for the reader. Details set stories apart from one another and enable the writer to introduce seemingly insignificant nuggets that may play a major role as the story progresses. The challenge for the writer is to find the acceptable ratio of details to plot without drowning the reader in details. Let’s examine a few pitfalls and see what we can learn from them. Example: A historical fiction novel features a … Read More »

Literary Devices to Compare and Contrast

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Writers create images with words, and the techniques used are called literary devices. Because of the wide variety of literary devices, we will examine them in groups. In this article, we review the literary devices used to compare and contrast. By comparing and contrasting things, the author invites the reader to see a deeper truth. Use these devices to emphasize an idea, a character, or important moment in the story. Analogy An analogy clarifies by comparison. Unlike simile and metaphor, … Read More »

Double Trouble, or Making the Same Point Twice

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New York may be the city so nice they named it twice, but when it comes to novels, most readers want a point well made once and not battered home in multiple forms. There are several ways this can happen. One is by showing and telling the same fact. Here’s what I mean: She was steaming with frustration. “Why can’t you ever be on time?” she cried. Nothing is really incorrect about this, but it could be tighter. Her words … Read More »

When Writers Get Stuck

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Writers, whether plotters or pantsers, inevitably get stuck somewhere along the way in the creation of their story and struggle to find a way forward. It’s a situation I’m familiar with, and it brought to mind a Robert Burns quote: “The best-laid plans of mice and men often go awry.” So, what’s a writer to do other than stare at the screen like a zombie for hours on end or throw their hands in the air and walk away in … Read More »

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