Naming Your Characters

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What’s in a name? In fiction, the names of characters form the reader’s first introduction to what kind of person they are. Dickensian names like Pecksniff and Chuzzlewit are out of fashion now, but we can still suggest much about a character by what name we choose to give to him or her. Billy has a boyish feel about it, Billy-Bob is a country boy, Bill is grown up, and William seems more formal. Betty Lou Sue is a whimsical … Read More »

Some Tools for Writers

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The universe of software for writers is constantly expanding. I’ve looked into a few of the no-cost options. NaturalReader reads your document aloud to you. It’s a great way to find the little things a spell checker misses, like when you typed “if” but meant “it.” The speed can be adjusted. I like that it reads slowly enough that I can notice when a sentence ought to be farther up in the paragraph, or a section belongs in another part … Read More »

Four Out of Five is Great, and Three Isn’t Terrible

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It’s easy to hope that your beloved book will get five out of five stars from everyone who reads it. A rating of less than five stars can feel like a bit of an emotional blow, but it’s not all bad. Browsers on Amazon and elsewhere may be suspicious of books that have all five star reviews. They assume it’s mostly the writer’s friends and relatives or paid reviewers. Thus, a four-star review is terrific because it lends authenticity to … Read More »

Are You Gawking?

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“Gawking” is phrasing which puts an unnecessary layer between the reader and the action. If a character sees, watches, or hears another character or an event in the story, then that character is screening the reader’s view of what’s happening. The scene starts with: Out for an early morning stroll, Sean was the first to notice the fire in the old barn. For the second sentence, we have two choices: He saw the leaping flames and smelled the acrid smoke. … Read More »

Attributions: A Contrasting Point of View

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Currently, stronger synonyms for said are out of fashion. A century or more ago, writers stretched for synonyms for said: asseverated, averred, conveyed, voiced, uttered, proclaimed … and it became distracting, even ridiculous. The current enthusiasm for just plain … may be a reaction against that excess. On the other hand, the quality of the speaker’s voice can sometimes be important information for the reader, adding texture and nuance, and conveying the character’s mood or emotion. “Over my dead body,” … Read More »

If It’s Unlikely, Support It

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I used to watch the decorating shows on HGTV. One of the principles I learned was “If you can’t hide it, make it a feature.” An ugly, useless old chimney would cost too much to tear down. So they painted it suitably, filled the fireplace with candles, and mounted the flat screen TV on it. Sometimes our stories include awkward facts that a mass audience won’t understand and believe right away. I recently read a novel that featured a set … Read More »

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