How Not to (and How to) Serve Up a Poem

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Poems are not short stories. This may seem like an obvious statement, but so many times I see struggling writers that seem to think they need a beginning, a middle and an end in a poem — all things needed by story writers. Yes, there are certainly poems that are more narrative in nature, like ballads and epics. Many of these form the backbone to Western literature, like Homer’s tales, Beowulf, Spenser’s The Faerie Queene, Milton’s Paradise Lost, etc.  But … Read More »

The Two Faces of Intention

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Intention: that’s an important word. When we shake the cobwebs out and make a resolution to start a new project, we are solidifying our intentions. But, like the Roman god Janus, intention is a two-faced concept. It makes all the difference in the world— and, ultimately, none. Let me explain … Where to begin When I write, intention is critical. Crafting characters, I need to know what each one’s intentions are so I can intertwine them and build the overall … Read More »

Wielding the Right Words (and the Right Journals)

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Okay, you’ve slogged through a difficult — even hellish — first draft (or two). Your plots are working (external and internal voyages), and your characters have depth. Good. And now you need a break. You’re in luck! Now it’s time to play. That is, to play a kind of hide & seek with words that are precise, revealing, elegant, multi-faceted and, even, incantatory. In essence: the right words. It will be fun because, if you’re like most writers, you come … Read More »

Digging Deeper: Unearthing the Bones of Good Writing

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Writers are readers. But are you the right kind of reader—a paleontological reader? As writers who want to hone our craft we need to read beyond simple enjoyment or displeasure. Sure, there are times when we need to escape — like anyone else — and simply wallow in the pleasures of a book, or of some poetry. And certainly, there have been many among us who have thrown a book down wondering how in the world did this get published! … Read More »

Trusting Your Reader to “Get It”

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Twyla Tharp said, “Metaphor is the lifeblood of all art.” That is, for our art to come alive it must relate to our readers in a comparative way that is important. The experience of reading is an empathetic one — the reader should feel a connection. That connection is made through metaphor. This is where much of our joy of reading comes from. I believe that the best way to do this is to invite your reader in amongst the … Read More »

The Power of Personification

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I don’t know about you, but with all this social distancing I’m finding it difficult to get close to some of my writing. A little trick I sometimes have to play on myself these days is to simply concentrate on just one literary technique at a time. Just one, so I don’t get overwhelmed whether I’m revising or writing something new. And one of my favorite literary devices to play with is personification. Personification is a power-wielding giant, because it … Read More »

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