I’ve been thinking about how one generates ideas for poems, stories, novels—or anything for that matter, like engineered new-fangled whatnots, or works of visual or auditory art. I suspect some of you are like me, wasting time thinking you don’t have an idea. And so, you don’t write or make other kinds of art. Last year I attended a program by Florida professor and poet David Kirby (FSU) hosted by the Florida State Poetry Association. During that session he talked … Read More »

Sit your chastushka down and raise the vodka in salute. Does that sound a little naughty? Well, it might. The chastushka is a short funny, ironic, or naughty Russian verse form, often on the same intellectual level as the limerick. If you’re quick on the draw and love working with silly rhymes, or satirical themes, the chastushka is for you. It can be a lot of fun. It’s a folk style that’s engendered many a rowdy competition—or friendly one. The … Read More »

In my FWA posting for last month we dove into the tetractys, a poetry short form from Greece.  This month let’s look closely at the pensee. The pensee (pronounced pahn-say) is a short syllabic form with specific attributes. But before we get into those let’s backtrack a little. The word pensee means a thought, or reflection, in French. When we speak of a pensee we are referring to a thought expressed in a literary way, such as the short form … Read More »

Go on … think of a poetry short form you know. Probably, the first one that comes to mind is the haiku, or maybe, the limerick. I bet that’s what would come to mind for most folks. Or, if you’re familiar with Japanese forms you might also think of the tanka, or haibun. For many American writers that’s about the extent of our short form poetry knowledge. But there’s a vast world of short forms from almost every continent. (Probably, … Read More »

Stephen King wrote in his book On Writing: A Memoir of the Craft, “the road to hell is paved with adverbs.” We’re rightly admonished not to use adverbs. But what about adjectives? I’d argue that adjectives are also there in the mix that makes up the road to hell. In fact, Mark Twain wrote to student D. W. Bowser (3/20/1880) “When you catch an adjective, kill it. No, I don’t mean utterly, but kill most of them—then the rest will … Read More »

In July of 2021 I wrote about Stimulating Similes. Now, t’s about time we got around to talking about metaphors—the big sister/brother of similes. Metaphors have more muscle than similes, and less tact. Rather than using a qualifying word such as “like” or “as” between two comparisons, metaphors just blurt out that one thing is another. Sure, tougher sibling Metaphor can be a bit rude, but it does its job quickly and without a lot of extraneous verbiage. For example, … Read More »