Home » Business of Writing » So You Want to Be a Full-Time Freelance Editor

So You Want to Be a Full-Time Freelance Editor

From time to time, someone who wants to change careers and become a full-time freelance editor will contact me and offer to take me to lunch in order to “pick my brain” or ask me a “quick question” about the business. I turn down such requests as kindly as I can.

I’ve been a full-time independent for 18 years now. It would take me many hours to tell someone all I’ve learned about conducting business over that time, and anyway, I don’t know that I want to give all of it away for the price of a veggie burger.

If there’s one thing you have to learn quickly to survive as a freelancer, it’s the value of your time and knowledge.

At the same time, it worries me to see some of the starry-eyed attitudes that abound about freelancing. I want to share some of the lessons I’ve learned, and maybe I can spare the dreamers among you some pain.

First and foremost, get real about the money

I’ve had conversations with people who think they’ll work 40 hours a week, bill at a rate of $25/hour, and make a decent income. After all, 40 hours x  $25/hour x 52 weeks in the year = $52,000/year. Yippee!

Wait a minute.

The reality is, you’re not actually going to work 52 weeks of the year, and you’re not going to work 40 hours of every week, either. You’re going to take vacations; you’re going to take holidays and personal time; you’re going to be sick and unable to work. And sometimes, let’s face it, you’ll just need to goof off. All unpaid leave.

Also, not all your working hours will be directly billable to clients. Some working time must be devoted to marketing your business and taking care of administrative tasks like billing, record keeping, email, etc.

Probably only about one-third of your work time will be spent producing. Looking for new projects, dealing with administrivia, networking, and continuing education will eat up two-thirds of your time. Yes, two-thirds of your work time will likely not be directly billable.

And remember, as an independent, you’ll be responsible for expenses that were previously covered by your employer on your “regular” job: medical and disability insurance, retirement savings, office supplies, computer maintenance, continuing education, etc.

You’ll incur new business-related expenses for developing a website and promotional materials and doing accounting and income taxes among other things. While some of your new expenses will be tax deductible, you’ll have to have enough cash flow to support them.

Some  tasks you’ll want to do yourself to save money, but that means more admin time for you, not billable, so maybe you’ll hire someone to do them. Spend your non-billable time or spend your money? Your decision. Either way it costs you.

Business will not come to you, you have to go out and get it

Relationship-building is the most effective kind of marketing, and that takes time. If you want a relatively stable income, promotional activities must be ongoing.

How will you stand out in this crowded field? You’ll need to define your niche and create a marketing plan to reach your potential clients.

What kind of editing do you want to do? Fiction, nonfiction, academic/scientific, business?  Subsets of those? (I know of an editor who makes a good living editing cookbooks.) Developmental, content, substantive, copyediting, proofreading? No one can be great at all levels of editing in all fields!

Define your niche before  you go freelance — and certainly before you quit your day job to go full-time independent. Get specific about what kind of work you’re prepared to do, who you want to serve,  and how you can reach potential clients.

I have to tell you: I absolutely love what I do. I love working with my clients and their manuscripts. But I also love managing the other aspects of my business, especially the challenges of marketing my services. If you can’t enjoy the promotional part of the business or if you think there’s some way around it,  you’ll have a hard time making it as a full-time independent.

Before you set your rates

There is no simple answer to everyone’s first question about freelancing: “What should I charge?” Your rates will depend on the kind if editing you want to do, your experience, your professional education, and more.

Take an honest look at your personal budget and have a deep understanding of how much income you need to survive — and thrive.

Research the pricing conventions in the industry and the fees the market will bear.

Think about how you can distinguish your business from others and plan what you will do to reach and promote to the niche you intend to serve.

Write all this down to make it real.

Recommended resources for editors

I have a ridiculous number of books on writing and editing and almost all of them are useful in one way or another, but here are some that you should definitely get familiar with if you’re thinking about a career in editing.

  • What Editors Do, edited by Peter Ginna
  • Developmental Editing by Scott Norman
  • The Copyeditor’s Handbook by Amy Einsohn
  • The Subversive Copy Editor by Carol Fisher Saller

And of course, you should also be familiar with the appropriate style guide for the industry you intend to serve.

There are several associations that provide vital resources to editors, including continuing education.

Lurk in some professional editors’ groups on Facebook —  Editors’ Association of Earth is a good place to start —  a way to learn about the ups, downs, and possibilities of the freelance editing business from working editors.

Remember: If you go full-time independent, you’ll be a business owner, not an employee

You must be self-directed in all ways. (I haven’t even addressed time management!)

You’ll need to be a good editor, of course, but you’ll also need to be a good marketer and administrator. See if you can make the numbers work for you. Dip your toe in, and try freelancing part-time before you quit your day job. Do some serious reflection and decide whether you have what it takes to be a full-time solo entrepreneur.

Now all this is my best advice — and you didn’t even have to buy me a veggie burger!

Follow Mary Ann de Stefano:

Editor & Website Designer

Mary Ann de Stefano is President of the Florida Writers Association and editor of The Florida Writer. magazine An independent editor with 30+ years’ experience, she works one-to-one with writers who are developing books. Her MAD’s Monday Muse is a popular weekly email. Mary Ann is mad about nurturing creative and community spirit. madabouwords.com. Website.
Latest posts from

14 Responses

  1. richard jeppesen
    |

    Good article! Good marketing! You’re very good, when I can get you looking my way… lol

  2. Anne Dalton
    |

    Wow, this is absolutely spot-on for ANY business! I see echoes of my own self-employment in a non-writing arena. Marketing and networking are a pain but collecting money is the worst! Great job Mary Ann.

    • Mary Ann de Stefano
      |

      Yes, being your own boss is not all it’s cracked up to be!

  3. Terry
    |

    Love this advice – let’s pretend like your next veggies burger is from me, okay? Appreciate all that you’ve shared!

  4. WILLIAM CLAPPER
    |

    Very informative piece, Mary Ann. I’m on board with all your points regarding the freelance life. Anyone contemplating editing as a career would do well to consider your advice. I have a solid editing background (print and electronic) and I’m striving to establish myself as a free lance. Do you have anything to say about the numerous editing (and writing) websites? Going with one or two of these entities seems like a good way to break into the editing game. But, few of these opportunities are local, or seem to be financially feasible, thus making them unattractive to me, as I wish to keep this free lance gig on a part time basis.

    • Mary Ann de Stefano
      |

      The associations I mention have job boards accessible to members. Are you asking about the sites where freelancers bid on jobs? Generally, I never found them worthwhile since you end up bidding against offshore workers who bid very low and giving away a percentage of your fee. The Editors’ Association of Earth Facebook group I mention has a subgroup where you can place your ad. And if you do a search in the main group or the EAE Backroom subgroup on the various editing websites, you’ll probably uncover discussions about them.

  5. carolyn
    |

    Thanks so much for sharing your advice, Mary Ann. Likely hard-earned, I’m sure. Appreciate your time.

  6. Nancy Quatrano
    |

    Wonderfully done, Mary Ann! Thanks for a thoughtful, accurate, and entertaining article!! Stay well!

    • Mary Ann de Stefano
      |

      Thanks, Nancy. Coming from another freelance editor, that’s a great compliment. You stay well, too!

  7. Paul Iasevoli
    |

    Great article Mary Ann.

Comments are closed.