As my friends (and probably my readers) can tell you, I’m no enemy to baroque language. I do love me some rich descriptions! But that’s not the same as wasting words, throwing them away on redundancies. While not everybody needs to write like Ernest Hemingway, a certain frugality with those precious little words keeps the writing clean and comprehensible. Let’s consider a few examples. Stating the Obvious Take the adverb aloud. It’s useful to indicate that something is not silent. … Read More »

In February and March I addressed good openings for almost any kind of writing here at the FWA blog. Now, we come to the more difficult bit for most of us. Once you’ve invited your readers in, what are you going to serve them? Stale crackers and old cheese are just not going to cut it. I’ve done a bit of research on this, as well as a lot of thinking. (When I can unfreeze the little gray cells this … Read More »

I recently decided to stop being so anthropocentric and incorporate a dog into the cast of my protagonists. This took a bit of courage, because a) animal characters can be cutesy and maudlin, and b) all the animals in books I read as a kid got killed in the course of the story, and I can’t take any more, OK? But, used correctly, the animal character can be just as powerful a presence as a human. If the temptation to … Read More »

Last month I posted about four ways to roll out the welcome mat for our readers by providing easily accessible openings. And I said, if the opening is too longwinded then readers may not have time to figure out your point, or the why of the piece. Too obscure and immediately readers must decide if it’s going to be worth their precious time to figure things out. Too overused, trite, or tiresome and readers may think there are better things … Read More »

Here are some thoughts mainly (but not exclusively) meant for those who write in a close third-person or first-person point of view. We’ve all internalized the advice to stay in a consistent point of view. You know—not to see things Mr. POV can’t see (like his own face) nor to read other people’s minds. But there’s a different sense in which a writer has to think about voice, and not just in dialogue. Because each personage in a book, like … Read More »

It’s the opening of a new year. So, let’s talk about openings. You want your home to have curb appeal and your front door to be inviting—to say Welcome! as it opens. (At least most of us do.) It’s the same with a piece of writing. The last thing you want to do is to put a roadblock, or an overstuffed couch, in the way. Openings are tricky—help your reader Poet Billy Collins says, “Usually I try to create a … Read More »