Subtext and the Unspoken
When characters say exactly what they mean, such as when a character testifies at a trial or answers questions from police during an investigation, there is no subtext. Children, drunks, and those under the influence of sodium pentothal say exactly what’s on their minds without filter or forethought. If characters only say exactly what they mean in every scene, then the dialogue is flat, or on-the-nose. It can be boring and artificial because such directness and honesty ignores human complexity. … Read More »