Hooking the Reader (and the Editor or Agent)

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What is a hook? A hook is a plot scenario, line of dialogue, or intriguing description that makes the reader (be it an agent, editor, or someone who buys your published novel) want to continue reading. It’s something in your story that’s so compelling that the reader CAN’T put the book down. It’s the sort of thing that makes them miss their train stop or stay up late into the night cursing you when the morning alarm goes off. It’s … Read More »

Silence Is Golden

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Much can be said in praise of silence (is that a contradiction in terms?). There are at least two kinds of golden silence that can add to the power of our writing, just as the “space between the notes” is the silent power of music. You can probably think of more, but here are a few of my reflections. Silence of the characters We all work hard to make dialogue lifelike and pithy. Sometimes the trailing thoughts of real-life speech … Read More »

The Stimulation of Similes

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I love a good simile. Who doesn’t? They shoot off fireworks in the mind—stimulating. And a good simile is a point of connection between an author and a reader. Similes and metaphors say: Look! I’ve noticed a connection between these two things. Do you? Similes add another layer of enjoyment when we read. So, what’s a simile? Both metaphors and similes make comparative connections. But let’s stick to similes for the moment. A simile is a comparison between two things … Read More »

Begin at the Beginning … Or Not

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Since this is my first post for the FWA blog, it seemed appropriate that I talk about beginning a novel, or any piece of writing, really. Now, I’m not going to get into plotting vs. pantsing vs. plantsing. That will need its own post. So let’s assume that you’ve already done the planning work, in whichever way you do it, and you’ve already completed any research necessary to write your piece. Great! You’re all set to start writing, right? Hmm … Read More »

Secrets for Writing a Series

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Our first book was never written with the intent of becoming part of a series, but the characters had other ideas. They weren’t done telling their story, so (for my part) I had to figure out a way to keep it all straight going forward. Along the way, I’ve seen other writers experience the challenges of writing a series, so I’m sharing some ideas that worked for me and might help others along the way. Who Stays and Who Goes? … Read More »

The Rumpelstiltskin Principle: Using Life as a Foundation for Art

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Sales figures make it clear that memoirs are a huge genre today. But that’s not what I want to talk about by saying “using life as a foundation for art.” Poets already know this secret, so let me address myself to novelists. My topic is: don’t neglect to take the straw of your own life and spin it into fictional gold! What does that mean? Well, it can means incorporating in your novel things that have actually befallen you. They … Read More »

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