Tears sell books.
It’s true. I don’t have any stats or evidence to prove this, but it’s just one of those fundamental truths. When we dive into a book, we want to explore the reality conveyed in that book, to become part of the story. This involves emotional involvement and without it, books get put down.
Creating emotional impact is arguably the single most important, and perhaps most difficult, aspect to writing fiction. Without it, the story is doomed from the start. I wanted to find what techniques I might employ to make my readers cry, scream, or even beam with pride.
Unsurprisingly, sprinkling emotion triggers throughout a story is a character driven process. Whether you’re writing a novel or a piece of flash fiction, the reader must be manipulated by the writer into caring for the character.
Your characters need to be normal everyday people going through some kind of relatable life event, just average people with flaws and weaknesses that make them vulnerable. You’ll want to make your good guys sympathetic and your bad guys unsympathetic. At the end of the story, your main character should have grown emotionally and have changed somehow by the overall experience.
Writing compelling characters, though, is a completely different (but critical!) topic. Instead, how do we take a compelling character and use it to evoke an emotional response in the reader? To get those tears, give these tips a shot:
Central Emotion
What is the major emotion you want to evoke from your reader? Once you’ve figured that out, you need to evoke that emotion within yourself. Is there a movie, documentary, poem, picture, object, etc. that makes you feel the way you want your readers to feel? Get into that emotional mindset before writing by using your trigger.
Now, dig deeper. What other emotions are you (and thus, your character) feeling? What secondary emotions are related to this central emotion? What tertiary emotions are related to those secondary emotions? For example, a scene where a scared protagonist shoots an intruder can lead to feelings of shame or perhaps pride. Focus on evoking the underlying emotions rather than the central emotion. This shows emotional depth and sometimes provides a source of internal conflict.
Perception
Mood reflects reality. If I’m in a good mood, I notice the good and beautiful around me and the opposite if I’m in a bad mood. By creating a scene that reflects the mood you wish to evoke, you set the emotion. When your character notices something in the scene, it should be something that someone experiencing that emotion would notice. I’m not going to notice how pretty someone’s flowerbed is when I’m being chased by a murderer.
Show Through Action and Response
Don’t tell the emotion, show it. By describing how the character is physically and mentally responding to an emotion you are conveying that emotion without explicitly defining it. If there are other characters in the scene, describe their reactions to the other character’s actions rather than telling us how they feel.
Anticipation
Drop hints of what the big, dramatic moment will be. Anticipation builds tension and tension is one tool to making a stronger emotional impact. We all know that A and B will end up together at the end, but tears flow when it happens thanks to anticipation.
Pace
Shorter paragraphs and sentences are fast-paced, great for action and thrills, and used to build intense emotions. Longer paragraphs and sentences should be used for calm, relaxed scenes and associated moods.
With these suggestions and plenty of practice, you should be writing emotionally impactful scenes in no time.
Happy writing!
Jack Courtney
Thanks Dan – excellent capture of what sells stories! Jack
Anne
Great information- thank you!
Gail Dudley
Thanks Dan
I’m writing a memoir that tells the tale of my survival since an infant, despite an abusive childhood and other high roadblocks as well. The opening scene sets the tone, but their are highs in there as well. I live in Florida as well, and would feel honored to be able to communicate with you and get your advice.
Dallas Gorham
Enjoyed your article, especially the comments about the character’s perceptions being colored by what he or she is feeling. I will use that in future books.
Lee Gramling
Good advice. I would add 2 suggestions:
1) Don’t be afraid of your emotions. I don’t know how true this is of other writers, but it’s something I had to learn. YOUR emotions are the ones you need to convey to your readers. Don’t try to fake them or finesse them; nothing is more off-putting in a story or in real life than crocodile tears.
2) A lot of the time less is more. A single tear or gripping an object until the knuckles turn white may speak more powerfully than a crying jag or breaking things. Most people try to control their emotions, and some may try to hide them. What kind of person is the character in your story?
Lee Gramling
Good advice. I would add two suggestions:
1) Don’t be afraid of your emotions. I don’t know how true this is of other writers, but it’s something I had to learn. YOUR emotions are what you want to convey to your readers. Don’t try to fake them or finesse them. Nothing is more off-putting in a story or in real life than crocodile tears.
2) A lot of the time less is more. A single tear or gripping an object until the knuckles turn white can speak more powerfully than a crying jag or smashing things. Most people try to control their emotions and some may try to hide them. What kind of person in your character?
(2nd attempt to post this)
Beda Kantarjian
Good information and clearly explained ways to expose or tease emotion into your writing. Thanks for this.