We all know that it’s better to show your protagonist’s (or any other personage’s) character than to tell the reader about it. That way, we’re “watching the movie,” not having someone review it for us. The main way to do this, of course, is to build the character’s personality into his or her actions. If they’re shy, show them hesitating to speak out. If they’re super-emotional, show them weeping at something touching. But because any one character is imbedded in … Read More »

The dictionary defines pathetic fallacy as the attribution of human feelings and responses to inanimate things or animals, especially in art and literature.  It’s not so much a fallacy or falsehood as it is a figure of speech — otherwise all fiction could be called a lie (!), and we know fiction is often the bearer of deep truths. Nor is it a pitiable trait in literature: pathetic means here dealing with emotions, and as a reader, I say the … Read More »

I have a friend who recently admitted shamefacedly to our writers’ group that she has been writing—and selling—Regency romances under an assumed name. We know her as a person committed to the highest standards of authorship, aspiring to real literary fiction, constantly refining and perfecting her style. And so our immediate reaction was to console, with a kind of world-weary fatalism. Gotta pay the bills, friend. Because those carefully crafted manuscripts had not sold. But wait. Is there something wrong … Read More »

Books on writing often tell the author to find inspiration for stories in the world around her, in the everyday events of her own life. Read a juicy story on the net about a crime? There’s your next mystery! Got a friend who, widowed, rediscovers her high school sweetheart on Facebook and marries him before she goes in for cancer surgery? (I actually do.) The seed for a romance! But all the events of our lives take place today. What … Read More »

I have a friend who is not a fan of historical fiction (and yes, we’re still friends). She describes them as “those books about kings and queens.” That made me start to think about who makes the best protagonist for historical fiction: is it a real, factual person—who will generally be a public person, or someone in sufficient prominence to have left a record—or an everyday person, probably spun from the imagination? Perhaps there is no better or worse here, … Read More »

How do we write about music? This is a form of what the ancient Greeks called ekphrasis: the description of one art in another. Not all of us are musicians, but nearly everyone likes one kind of music or another. It brings something wonderful to our lives, punctuates our memories, stirs our emotions. And when I think back upon some of the most life-changing books I’ve read (Homer’s Odyssey and the Sirens’ song, anyone?), the magic of music played a … Read More »