I recently visited the island of Guernsey, in the English Channel. It was a great trip—a pilgrimage, in the company of forty-four other book lovers, to the home-in-exile of Victor Hugo, author of such classics as The Hunchback of Notre Dame and Les Miserables. It got me thinking that the same things that make a tourist destination attractive are what draw readers to a book series! And keep them coming back, like the numerous members of my traveling party who … Read More »

I’ve shared thoughts about the ending of a novel before, but I just read a book for review that brought the topic back to mind. It had a (groan) epilogue. So if you’ll indulge me, I’d like to reflect about a very important issue in novelizing. Where do you stop the story? Conclusion. Full Stop. This is an important and challenging matter. If you were a general, wouldn’t you want to know what the objective of your campaign was? Only … Read More »

I’m no Grammar Girl, but I was lucky enough to have gone to grammar school back when they really did teach grammar. And I just read a book that abused English grammar so badly that it was about as much fun to read as having your teeth drilled. Guess what, folks? Without correct grammar, it’s impossible to say what you mean. So be patient while I rant a little. It never hurts to be made freshly aware of things you … Read More »

One of the first decisions every author has to make as she sits down at her keyboard to start a new book is Whose head will I be in? What will be the point of view from which I tell my story? One told in the first person (I) will sound very different than the more common third person (he or she. Or maybe even it). Each conveys a different type of intimacy and inflects the story a bit. Me, … Read More »

Here are two devices that have become very popular in recent years: the prologue and the epilogue. These are little pieces of text, generally only a few pages long, that precede the opening of a book (to set up the story) or after its “The End” (to explain what happens subsequently). Some people like them; some—me included—do not. But in response to the will of the people, I face inserting a prologue into a novel I’m working on. So let’s … Read More »

Perhaps it seems self-evident to warn “Don’t say the same thing over and over”—yet it needs to be said. Not because authors are a stupid lot (we aren’t), but because of the on-again-off-again nature of writing and other totally understandable things. Let me explain. I’m currently reading a good novel. The characters are interesting. The scenes are described well. The action comes on fast. Yet in the 25 pages I’ve read, it has been said no less than five times … Read More »