In reading novels as in attending parties, nobody wants to sit next to a bore. It’s easy to say what constitutes a social bore: she hogs the conversation, talks about herself, burrows into a one narrow topic that doesn’t interest you. What marks out a boring book? I had a recent opportunity to think about this when a friend asked me to read his manuscript and give him some feedback. The overarching problem that jumped out at me seemed worth … Read More »

Ouch! This isn’t the reflection of a sadomasochist! Pain occurs (or should occur) a lot in novels, and it gives the author a lot of fresh ways to show something about their characters. I say “should occur” because it’s far less prevalent in hard-driving thrillers (for example) than it should be. If you jump off bridges and throw yourself out of moving cars, my guess is you’re going to get a few ouchy booboos. If the book makes any pretense … Read More »

A really good book is like plywood—many layers of story glued together to produce an end product that’s stronger than any one layer alone. You have a main plot (say, retrieving the magic stone that protects the kingdom), one or more sub-plots (the heroine’s coming of age and her sidekick’s overcoming his sense of inferiority to a brother who died a hero), and then a thematic layer (resisting the temptation to do evil for a good cause). It’s about that … Read More »

Time is always tricky in structuring a novel, even one with a single line of action. Maybe your two sleuths split up to investigate two leads at once. In what order do you present their interviews? Because at some point you’ll need to bring them back together, and it should be in the smoothest possible way. But even more challenging is the ordering of a book with multiple timelines—two characters’ independent stories, for example, that braid together until they unite … Read More »

Once upon a time, it was common for books to be written in an omniscient third-person voice. A disembodied and all-seeing narrator told you the story, gentle reader, and he knew what every character was thinking and how they looked as well. Increasingly, though, readers seem to want the in-head experience of close third-person. One character carries them around through the action of the novel, and they see the world and other characters though her eyes. She can report her … Read More »

The other day in our writer’s group, somebody brought up the idea of each of us taking responsibility for a periodic “artist’s date” to recharge our creativity. Those of you who remember Julia Cameron’s 2020 blockbuster The Artist’s Way will recognize this concept. I, who avoid self-help books, did not, but when its eloquent proponent among us presented the idea, it sounded extremely appealing. And then I realized I’ve been on one long artist’s date here on the farm, and … Read More »