As a reader, I’m willing to suspend disbelief to great extent, thereby granting license to Writer Jane to take liberties and push, even shred, the envelope in order to tell the story and entertain me. But Jane has a certain responsibility to get it right. I expect her to make at least a minimum effort to get right the facts of how things are or were, however mundane those facts may be. No matter the genre. Yet few among us … Read More »

Sometimes while reading a short story or novel with an historical setting, you come across a word or phrase that causes a bit of a stumble. The reason might be obvious or not. It might be that the word or phrase is lumbering about way outside its era. Maybe it’s a novel of the American Revolution, wherein General Washington receives more bad news in frozen Valley Forge, and orders his lieutenant to Philadelphia with an urgent plea for help. So … Read More »

My mother devoured every Agatha Christie novel ever written, and though I developed an early appreciation for Christie’s fussy little Belgian, Hercule Poirot, I didn’t become familiar with the term “cozy mystery” until many years later, but the moment I heard it, I knew it described Christie’s work to a tee. Or a tea, if you will. The cozy is the gentle workhorse of mystery fiction, a reliable subgenre with a dedicated following, and one that shows no signs of … Read More »

We can probably all agree that time slows down painfully when someone is reading our writing in draft. And we’re particularly anxious about what our first reader will say about a first draft, yes? When you decide your work is ready to be read for the first time, who do you ask for feedback? A spouse? A friend? Another writer? Your writers group? Recently I came across an article from Poets & Writers that I’ve kept for a long time. Kevin Nance interviewed … Read More »

If you’re an author, do you give book talks? I know, they are full of wildcards and unexpected questions. A bit unnerving. So far I’m finding that most people showing up for my book events are friendly (knock on wood) and interested—except for that one woman who accused me of not believing in anything and stomped out of the room (not at Rollins) … we had good reason to suspect she’d had too much to drink. Oh well. **it happens. So, about giving talks … Read More »

In high school, I picked up Bram Stoker’s Dracula (1897) and was quickly smitten by the method of the storytelling, rendered through characters’ journals, letters, ship’s log entries, telegrams, and even wax cylinder recordings on that newfangled invention, the phonograph. I didn’t know it at the time, but Dracula represents a great example of the epistolary novel. Documents. It’s all about using documents to tell the story. An example is this log entry jotted by the troubled captain of the … Read More »